Avion en papier
Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
By this I mean that we will no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Kent du Le Bateau De Papier Jean Humenry Pre has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have made an appearance occasionally, nevertheless the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of
very early Japanese Origami.
Uchiyama is reported as obtaining a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to offer enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities Comment Faire Un Avion En Papier Qui Vole Bien Longtemps and the other to avoid the complexities of a model achieved solely by folding.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make sure of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated Avion En Papier Tutorial by Yoshizawa at a Convention in Birmingham. Another method of wet moulding using paste in the preparation is mentioned by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The retracts tend to be gentle and we are approaching figurine rather than Origami.
Bateau en papier
The particular associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the end to show the Origami Crane Project multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to represent some part of the animal and then brought collectively. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have made an appearance for folding a dragon from a quantity of potager of different sizes.
Comment faire un avion en papier
Inside the most extreme combos of water and papers we are, of course , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from a single coloring is one side coloured and one white or plain. A great package of modern Origami intrusions this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to an exclusive model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The cutting out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda Avion En Papier Propulsé Avec Un Elastique has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.