Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has done such work Faire Avion En Papier Pro on Symmetric figures such as stars from which flowers can be folded. Irregular figures have appeared occasionally, however the most extreme form occurs in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course carefully related to paper cutting. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Origami fleur
Uchiyama is Faire Un Avion En Papier Pro reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid Avion En Papier Propulsé Par Un élastique the complexities of a model achieved only by folding.
Fleur origami
Inside a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly when foil has been used and one can be certain of the substance remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper seems to be Japanese in origin was demonstrated by Yoshizawa Bateau En Papier Qui Flotte at a Convention in Luton. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds up tend to be soft and are approaching statue rather than Origami.
Bateau en papier
Typically the associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for its own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of document each folded to represent some part of the creature and then brought collectively. The concept may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have appeared for folding a monster from a number of potager of different sizes.
Comment faire un avion en papier
In the most extreme mixtures of water and
papers we are, of course , in the world of fun which is obviously an open-ended art. DecoratingThe easiest step from a single colour is one side female and one white or plain. A great deal of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.
Fleur en papier
The cutting out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind Avion En Papier Simple A Faire of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and obviously here we have an open-ended Art. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form we might use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.